Showing posts with label Emma Stone. Show all posts
Showing posts with label Emma Stone. Show all posts

Wednesday, August 10, 2011

The Help Review


The Help Review

I am going to preface this review with a couple of disclaimers. First, I have not read the book by Kathryn Stockett in which this film is based. I am sure the book is fabulously well written and full of great depth. I am equally as sure that fans of the book, as always, are sure to have problems with the cinematic adaptation. Second, as a white male in my early 30s I doubt that I am the target audience for this movie. This movie is textbook chick flick, and while my money is as good as anyones, the movie was not made with my demographic in mind. Having said that, I can now tell you my honest opinion of this wonderfully charming yet somewhat flawed film.

The title The Help refers to a number of things in the film. First and foremost it refers to the black women who took low paying, laborious jobs as nannies and housekeepers in affluent white homes in the 1960s. Aibileen (Viola Davis), and Minny (Octavia Spencer) are two such women, when they are noticed, which isn't often, they are abused and denigrated by their employers. Despite their mistreatment they raise the children of their employers to be "kind, smart, and important.Then there is Eugenia "Skeeter" Phelan (Emma Stone) Eugenia is one of those children who was raised by the help, she has just returned from college, and is kind, smart, and who wants to become important as a writer. Skeeter sees the wrongs being done and is trying the help simply by documenting it and by doing so hopefully change things.

The story is simple yet powerful. All three women have important stories to tell, and all three stories seem to have the same vicious nemesis, Hilly Holbrook (Bryce Dallas Howard). Hilly is a mean, spiteful, bully. She is also the worst kind of racist, the kind that does so with a smile, and teacher her children that hate and ignorance are proper thinking. Hilly's crusade is to create legislation that requires the "colored help to have separate facilities in private homes." She is meant to emulate the separate but equal mentality that dominated the south during the pre civil rights era. Skeeter's forward thinking immediately clashes with Hilly's.

Another important side story is that of the ostracized Celia Foote (Jessica Chastain). Celia and her husband live on a plantation on the outskirts of town. Celia's only crime is being naive to the social structure, and being married to Hilly's high school boyfriend. Celia is the only person who would hire Minny after Hilly fires her for using the indoor toilet. Celia and Minny develop and odd relationship that gives both women new strength and courage.

The movie will likely be compared to The Color Purple. Despite the obvious comparisons, these films have little or nothing to do with one another. Yes both films are about black women gaining strength and courage while also finding their voice, but The Help is not nearly as heavy, as violent or as dark as the Color Purple. In fact that is probably the movies biggest flaw. These were very dangerous times to be black in the south. and while the women are fearful and worried that their actions may have repercussions, we never are exposed to them in the film. Aside from knowing the history of the times there is nothing in the movie that gravely threatens our characters. Hilly is their biggest threat and she is nothing more than a cartoon character and beyond what she represents not really scary at all.

As much as I wanted the movie to be darker, and heavier, I appreciated its lighter side. Similar at times in tone to Fried Green Tomatoes, the movie just enjoys telling the story of these women. It has many laughs mostly at the expense of Hilly, and then there is the chocolate pie, that is "so delicious!"

The movie is incredibly enjoyable and while I dislike the term "chick flick," The Help certainly qualifies as one. There is only a few male characters they are relegated mostly to the background. When we do get a real male character he is not given much to do and just when we think we can get behind him, his true nature is shown to us we are left disappointed.

The real bright spots in the movie are the performances of Viola Davis, Octavia Spencer and Jessica Chastain. Their roles are meaty, but without the talents of these actresses, their characters would not have come to life, no matter how well written. I would not be surprised if one, two, or all three were nominated this year as supporting actress.

I may not have been the target audience, and I have not read the source material, but I liked the movie all the same.

Friday, July 22, 2011

Crazy, Stupid, Love Review


Crazy, Stupid, Love Review
Crazy, Stupid, Love. The title says it all. Human beings do crazy things, human beings make stupid choices, but mostly human beings do crazy and stupid things for love. The movie is briliantly clever, and shrewd in its conception. If you can forgive the implausible coincidences that pop up in the movie you will have one heck of an enjoyable experience.

The movie centers around Cal, played by Steve Carell. Cal has just been told by his wife that she wants a divorce, and that she has been cheating on him. Cal is in shock. He literally cannot comprehend that the woman he loves, the only woman he has ever loved, not only cheated on him, but wants him gone. Carell does a magnificent job of portraying Cal, especially in the early moments when he is paralyzed by shock.

His shock takes him to a bar, the kind of bar that only exists in never never land. Over flowing with beautiful women who are just dying to go home with a stranger. Of course Cal doesn't pay these women any attention, except to feebly try and vent, to desperately confide in anyone who will listen. It is here that he meets Jacob, a slick, yet successful, womanizer who takes a different woman home every night, because he can. Jacob pities Cal, and decides to give him an Oprah style makeover. This makeover leads to increased confidence, and much more meaningless sex for Cal.  The meaningless sex is Cal's coping mechanism, if he can't love the one he wants, he must love the one he is with.

In addition to balancing the Cal/Jacob storyline, the movie also juggles a story involving Cal's 13 year old son, and the object of his attention, their babysitter.  Did I mention that the babysitter has a dangerous crush on Cal? Cal's son is a true romantic who throws words like "soul-mate" and "true love" not knowing that these words are dangerous, even more dangerous when they are real.

The third ball in this juggling act is the story of Hannah, played by Emma Stone. Hanna is a young law student who believes her boyfriend will propose any day, and who is devastated when he pump fakes her. Of course Hannah, walks into the bar where Cal and Jacob now cruise. Jacob takes her home, and because the movie is PG-13 no sex is had. There is however a deep connection made that alters Jacobs preconceptions about the meaning of love, and for him is a "game changer."

The movie juggernauts its way towards a climax that can only be described as predictably unpredictable. In other words you unexpectedly get what you expect. Yes the chaos that erupts in this moment is a bit like watching an episode of Jerry Springer, but it is still hilarious, and will leave you laughing at the thought of it well after the credits roll.

In 1998 I praised a movie called Playing By Heart, a lovely if not contrived movie about love in its many forms, and phases. Like Playing By Heart, Crazy Stupid Love, is a lovely, if not contrived story about love in its many forms. Many of the same elements are at play here in Crazy, Stupid, Love. And while both films are very different, both films try to shed light on the subject of just why love makes us crazy and stupid. Of course this is an unsolvable riddle with no answer. Anyone who says otherwise is just fooling themselves. All you can do is accept that life is unpredictable, so just enjoy the ride. Be crazy, be stupid, and above all things love.